$10 advance / $12 at the door
Her Crooked Heart:
Rachel Ries [aka Her Crooked Heart] has a sensibility as familiar and comforting as it is surprising. At one turn, she's got the vocal prowess of Tori Amos; at another, the complexity of a Radiohead tune. TO LOVE TO LEAVE TO LIVE is a record I've not stopped playing since I first heard it, and one I can anticipate revisiting for many years to come.
– Amy Reitnouer, Executive Director, The Bluegrass Situation
With To Love To Leave To Live, Minneapolis-based Her Crooked Heart presents a debut record unique in form, made up of cyclical narratives and intertwining histories, each informing the next. The result is a transformative song cycle, led by a charismatic personality, wholly indifferent to expectations of genre and instrumentation. Rachel Ries, the writer, multi-instrumentalist and producer behind Her Crooked Heart, demonstrates immense vulnerability and multifaceted musical craftsmanship to deliver a personal and profound musical soliloquy on love, leaving and the life that follows after burning it all down.
To bring these songs and this record to the stage, Ries has enlisted a powerful group of women; women who can, in their way, take on the feminine, humanist mantle of Her Crooked Heart and make it their own: Siri Undlin (Humbird), Adelyn Strei (Adro), Hilary James (We are the Willows, Bathtub Cig). The quartet blends classical and electric guitar; piano and vintage synths; cello, woodwinds and drum triggers. This merging of acoustic and synthetic sounds is all in service of the voice: four part vocal harmonies that shift from ethereal to an elemental wail, always telling a story of transformation.
In 2013, after two and a half years of marriage, Ries found herself touring a record around the world, accompanied by a stack of divorce papers in a pocket of her suitcase. She had left her marriage and a good man in New York City and leapt into the untethered unknown. What transpired was in turns euphoria and despondence; old lessons learned in new ways. The songs on To Love To Leave To Live are a compassionate and at times wry catalogue of those tumultuous years, unflinchingly captured in the studio with co-producer Shane Leonard. Several collaborators, some of whom Ries met while touring with Anaïs Mitchell, helped create the vast and varied soundscape: Brian Joseph (Sufjan Stevens, Paul Simon), Rob Moose (yMusic, Alabama Shakes), Mike Lewis (Bon Iver), Alec Spiegelman (Cuddle Magic), Pat Keen, John DeHaven, Ben Lester and Rachel’s own siblings.
“With a sound that’s familiar as a hometown, strong like a thicket of trees and warm as a bonfire, Mineapolis’ Idle Empress is making waves with organic rock and roll songs that burst with nostalgic catharsis, emphatic wit, and unbreakable DIY energy. The trio’s sound is firmly weighted by the ghostly, yearning voice of singer/guitarist Lauren Anderson, who deftly sings about the dark parts of love, existence, and consciousness. She’s backed by the sturdy tones of bassist Josh Frederick and thudding rhythmic dexterity of drummer Elliot Heinz, all entwined into a collection of songs that are so dreamy and wonderful they make you feel loved and protected.”
Eustace the Dragon (solo):
Jessica Arnold is enamored with relationship and story, and sings songs that are rich in both. Her melodies stir up a forgotten past as her voice effortlessly weaves through the often untouched parts of the heart. Lilting, piercing, in love with the earth and its inhabitants- Jess's performance speaks of the quiet, mesmerizing intensity of a midnight campfire.