$7 advance / $10 at the door

10:30pm showtime



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Kazyak is back with Odyssey (avail. 8/16/2019), the band’s third release in 3 years, following the Happy Camping EP (2017) and the Reflection LP (2018). On the surface, Odyssey is extremely satisfying indie rock ear candy. Dig a little deeper and find intricate connections between lyrical, visual and aural elements. From guitarist/songwriter Peter Frey’s perspective, the album is “more rugged, forward-looking and psychedelic than our past releases. It’s the first record we’ve recorded live, and is channeling inspiration from Patagonia and themes from Joseph Campbell’s The Power of Myth. It’s a big step forward for us, and is a journey into the unknown.” 

Kazyak is no stranger to taking chances with sound, and Odyssey is proof. The songwriting is on the same level as past releases, but the focus here is that they’ve turned up the psychedelic knob several notches - wetter vocals, an orchestrated Prophet V and Juno 106 synth-combo, and heroic guitar hooks, held together by solid drums and bass. The live lineup is Peter Frey (guitar), Andy Wolfe (guitar), Pat Hayes (synth, piano), Tyler Safranek (bass), and Nick Grewe (drums). The group has shared the stage with many, including LA indie rockers the Local Natives and Duluth-based Trampled by Turtles, and continues to collaborate closely with Minneapolis-based engineer/drummer Brett Bullion. 

Maple & Beech (duo):

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Maple & Beech is the music of Minnesota producer Tyler Tholl. Originally a solo recording project, Maple & Beech has grown into an ensemble of Tholl’s friends and family making “smart, glossy pop music” (Reviler).

Julia M. Wilcox:

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Julia M. Wilcox is a pianist & songwriter who started performing the great classical composers such as Bach, Mozart, Beethoven and Brahms before finding her way to more experimental, avant-garde and minimalist works. In her performances, she often finds herself exploring the duality of sound - on one side the soothing, mesmerizing sounds of nature, spirituality, and expansiveness and the other the mechanical, sparse rigidity of the machine-age.


It’s something borrowed

A minimalist soundscape  

Glass, endless expanse