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ANAÏS MITCHELL is a Brooklyn-based singer-songwriter, and the Tony award-winning creator of the Broadway musical HADESTOWN for which she wrote the book, music and lyrics, and which won 8 Tony awards overall including Best Musical.
Dubbed by NPR as “one of the greatest songwriters of her generation”, Mitchell’s acclaimed recordings include the original studio album of Hadestown (2010, featuring Justin Vernon and Ani Difranco), The Brightness (2007), Hymns for the Exiled (2004) and Young Man in America (2012), along with reinterpretations of traditional music including Child Ballads (2013, with Jefferson Hamer) and the forthcoming Bonny Light Horseman (2019, as Bonny Light Horseman), among others. She has headlined worldwide and supported tours for Bon Iver, Josh Ritter and Punch Brothers. Additional awards include BBC Radio2 Folk Award and the Folk Alliance International Spirit of Folk Award. If there's a common thread in Mitchell's work it's that she's as interested in the world around her as the one inside her. As the New York Times wrote, “Ms Mitchell’s songs address contemporary angst with uncanny vision….a formidable songwriting talent”.
Her Crooked Heart:
With To Love To Leave To Live, Minneapolis-based Her Crooked Heart presents a debut record unique in form, made up of cyclical narratives and intertwining histories, each informing the next. The result is a transformative song cycle, led by a charismatic personality, wholly indifferent to expectations of genre and instrumentation. Rachel Ries, the writer, multi-instrumentalist and producer behind Her Crooked Heart, demonstrates immense vulnerability and multifaceted musical craftsmanship to deliver a personal and profound musical soliloquy on love, leaving and the life that follows after burning it all down.
To bring these songs and this record to the stage, Ries has enlisted a powerful group of women; women who can, in their way, take on the feminine, humanist mantle of Her Crooked Heart and make it their own: Siri Undlin (Humbird), Adelyn Strei (Adro), Hilary James (We are the Willows, Bathtub Cig). The quartet blends classical and electric guitar; piano and vintage synths; cello, woodwinds and drum triggers. This merging of acoustic and synthetic sounds is all in service of the voice: four part vocal harmonies that shift from ethereal to an elemental wail, always telling a story of transformation.
In 2013, after two and a half years of marriage, Ries found herself touring a record around the world, accompanied by a stack of divorce papers in a pocket of her suitcase. She had left her marriage and a good man in New York City and leapt into the untethered unknown. What transpired was in turns euphoria and despondence; old lessons learned in new ways. The songs on To Love To Leave To Live are a compassionate and at times wry catalogue of those tumultuous years, unflinchingly captured in the studio with co-producer Shane Leonard. Several collaborators, some of whom Ries met while touring with Anaïs Mitchell, helped create the vast and varied soundscape: Brian Joseph (Sufjan Stevens, Paul Simon), Rob Moose (yMusic, Alabama Shakes), Mike Lewis (Bon Iver), Alec Spiegelman (Cuddle Magic), Pat Keen, John DeHaven, Ben Lester and Rachel’s own siblings.