Martin Dosh is no stranger to the avant-garde. The renowned multi-instrumentalist, who combines electronics with analogue instrumentation, has spent 30 years producing his own distinct sound, as well as collaborating with an international who’s who list of musicians from the rock, jazz, and electronic genres. Minneapolis raised and based, Dosh began playing piano as a small child and started on drums just a few years later. He left Minneapolis to study music at College of Bard at Simon’s Rock in Western Massachusetts and upon returning home, he began honing his distinctive style through obsessive practice and recording of his own creations while absorbing the varying sounds of the Twin Cities music scene, discovering creative visions and like-minded collaborators that infused his musical vision via sonic osmosis.
In 2003 Anticon proudly released Dosh's virtuoso debut, Dosh, a loop-building collage of shimmering Rhodes, atypical drumming grounded in groove, field recordings and spontaneous performance (much of the album was pieced together using the 100-plus hours of tape he'd recorded at his parents'). By then he'd developed his untouchable live one-man show (swiveling on his drum stool between a kit, his modified Rhodes piano, a few pots and pans, and a simple looping pedal with a 12-second recording limit), and took to the road. Back in Minneapolis, the city he'd finally recognized as home, Dosh had been teaching drum lessons to children and falling in love on the side. He formed a family with his wife Erin (who he'd wooed by handing her a copy a song called "I Think I'm Getting Married") and her 6-year-old son Tadhg. Soon he'd be composing a track titled "Building a Strange Child," and so they would. Dosh's second full-length, Pure Trash was inspired by his life's most pleasant turns, and though the album was instrumental (minus cameos by Erin, Tadhg, the newborn Naoise, and his students), it emoted all the warmth and anticipation, fear and relief that comes with building a family.
Dosh's third album, The Lost Take, showcases the man's unique approach to sound with an expanded musicality and growing guest-list including Andrew Bird and members of Tapes 'N Tapes.
His Fourth record, Wolves And Wishes, adds to the ever-impressing oeuvre with the explorative wonderment of a debut album. To date Dosh has recorded with Bonnie 'Prince' Billie, Fog, Jel, Odd Nosdam, Neotropic, Andrew Bird, Redstart, Vicious Vicious, Poor Line Condition, Lateduster, Why?, the Interferents, members of Tapes 'N Tapes, and just about any Twin Cities band with a collective ear for good taste and experimentation. He has shared the stage with Andrew Bird, Wilco, WHY?, Damo Suzuki, Gary Wilson, Golden Smog, Sole, My Morning Jacket, Tapes 'n Tapes, cLOUDDEAD, Sage Francis, Devendra Banhart, Kid Dakota, Alias, Themselves, Peanut Butter Wolf, P.O.S., Happy Apple, Joseph Arthur, Pizza Boys, the Bad Plus, The Jayhawks, Atmosphere, DJ Vadim and many more.