$10 in advance / $15 at the door
When Gaelynn Lea won NPR Music’s 2016 Tiny Desk Contest, her two decades as a hardworking and talented musician finally crystallized in a beautiful moment of national recognition. It was also just the beginning of a grand adventure. With the wind
of her award at their backs, Gaelynn and her husband Paul sold their house in Northern Minnesota, quit their jobs, bought a van, and hit the road.
Since then, Gaelynn has played over 250 shows in 42 states and seven countries, adding nearly 100,000 miles to their Ford Econoline’s odometer. The singer-songwriter and violinist has performed everywhere from coffee shops, bars, schools and festivals; she’s graced the stage of renowned venues like Nashville’s Music City Roots, The Kennedy Center, House of Blues and even BBC World News. This June she was featured at arts festivals in Iceland and Switzerland, and she’s set to appear at the Winnipeg Folk Fest in July and Travelers' Rest Fest (curated by The Decemberists) in August.
Yet somehow between this perpetual blitz of performances, Gaelynn also recorded her third full-length album set for release in September. Until this point Gaelynn Lea has presented most of her songs using only a few tools: a violin, a voice, and a looping pedal. But for her latest, Gaelynn Lea enlisted the help of some musical friends to bring her new album to life. Several of Minnesota’s heavy-hitters—including Al Church, Dave Mehling, Marty Dosh, Andrew Foreman and Alan Sparhawk—lent their creative influence and musicality to this recording. The result is a powerfully emotive effort of confidence and purpose
which captures the poignancy and presence of Gaelynn Lea’s crafted repertoire.
Her forthcoming album, Learning How To Stay, is an 11-song collection that runs the gamut sonically from pensive and luscious to aggressive and intentioned, from folk to decidedly pop, and even includes a couple of traditional fiddle tunes. Undoubtedly the connecting thread of this album is Gaelynn Lea herself. With her singular voice and deeply-affecting violin, she guides the listener through a journey that explores the contrasting nature of existence: dark and light, birth and death, anger and forgiveness, sorrow and joy. Learning How to Stay encourages the listener to stay present for it all.
The album opens with a droning cascade of strings and a lone piano setting the tone on “Bound By a Thread,” then abruptly shifts to the bright country twang of guitars through a lesson of literal biology and figurative heart on “Dark to Light and Dark Again.” This contrast is indicative of the record as a complete thought, presenting the listener with an ever-widening spectrum of themes and musical moods. The sparse indie-rock vibe of “I See It Too” is then juxtaposed with the Celtic-like pastoral build of the instrumental, “Jim and Judy’s Wedding” (Larry Unger).
Mid-tempo grooves are broken down and piled back up on both “Lost in the Woods” and the backstreet rocker “Someday We’ll Linger in the Sun”. Carefully, patiently, the music unfolds with a myriad of tasteful choices: a Hammond B-3 organ harmonizing briefly with the heartbreak vocal of “The Last Three Feet;” the polyrhythmic art rock sensibility and sheets of
violin coursing through “I Wait.”
Bright, bare minimalism adorns the Irish-tinged original “Grace and a Tender Hand,” while a foreboding darkness inhabits the Finnish traditional instrumental, “Metsakukkia”. This genre-defying album winds down with some welcomed serenity during the ballad “Moment of Bliss”, which is a fitting end to this emotionally satisfying listening experience.
In addition to performing and recording, Gaelynn Lea loves to do speaking engagements about disability awareness, inclusion in the arts, and leading an enriching life. Gaelynn has a disability called Osteogenesis Imperfecta (Brittle Bones Disease) and she is a strong voice in the disability community. Gaelynn Lea believes society must prioritize accessibility so people with disabilities can participate in their communities and use their gifts without barriers or discrimination.
Mary Bue is an indie musician, yoga instructor and yoga studio owner based in Minneapolis. A prolific songwriter with nearly 7 albums under her belt, Mary’s music touches upon archetypal themes of the human condition: love, loss, triumph, dreams, and the natural world. A longtime student of yoga and psychology since her early teens, Mary weaves sacred subject matter into her songs with inquiries into the spirit, the seeking of deeper levels of consciousness, and deep concern for the environment all mixed into her sometimes crass, real-world hue. Mary recently opened Imbue Yoga in South Minneapolis – an intimate, beginner friendly studio featuring many lineages of yoga — with all of these deep passions and interests, she’s a true multi-passionate entrepreneur. In 2017 Mary is an Artist in Residence at the Wurlitzer Foundation in Taos, NM – spending time in solitude, along the Rio Grande river gorge and Sangre de Cristo mountains. She will be releasing her 7th project The Majesty of Beasts on May 12th, 2017.