$7 AT THE DOOR
8:30PM DOORS/9PM SHOWTIME
PRESENTED BY THE MINNESOTA MUSIC COALITION
Minnesota Music Coalition are a statewide network of artists, industry professionals and music supporters who care about creating and sustaining a vibrant popular music community. We welcome all Minnesota musicians, regardless of race, gender or cultural identity. We do not tolerate hate speech. We encourage self-expression and open dialogue.
Raised in the Swannanoa Valley just outside of Asheville, North Carolina, Reed Turchi grew up playing piano, focusing on boogie woogie and New Orleans styles before becoming infatuated with slide guitar. While learning Hill Country Blues (RL Burnside, Junior Kimbrough, Mississippi Fred McDowell) firsthand in North Mississippi, he founded his blues-rock trio “TURCHI,” which released its debut album Road Ends in Water in 2012. Called "everything a blues fan could want" (LA Examiner), the album featured guest Luther Dickinson on three tracks.
After a series of national tours, TURCHI released Live in Lafayette in early 2013, and exploded on the blues-rock scene, notably earning high praise from Living Blues Magazine ("for all of their communion with the past, TURCHI sounds vital, alive, and essential"), landing on the cover of Buscadero (Italy) and being showcased in a five-page feature in Il Blues Magazine (Italy). At that point, TURCHI’s national touring grew to include Europe, highlighted with a headlining spot at Mojo Festival (Rome) in June 2014 after the release of Can’t Bury Your Past, which expanded the trio with keyboards/organ (Anthony Farrell) and saxophone (Art Edmaiston).
Also in 2014, stemming from his tours in Italy, Reed began collaborating with renowned Italian guitarist Adriano Viterbini, leading to Scrapyard, an intimate, intense, guitar duo album recorded in Memphis and in Rome. Called "a marvelous example of talent and simplicity" (Bluebird Reviews, UK), the album earned a editor’s feature from iTunes ("blues chemistry overflowing with earthy delta slide and dark pulsing electric guitar"), and a spot on Tidal’s “editor’s playlist.”
At around the same time, seeking new inspirations and sounds, Reed moved from Western North Carolina to Memphis, where he began digging into the trademark rhythms and styles that made the music from Stax and Muscle Shoals groove so powerful. It was a time of personal and musical change, leading Reed to disband TURCHI with the release of sendoff EP We Spoke in Song, recorded at an old JC Penney in Richmond VA amidst their final performances in October 2014.
As they toured in support of Scrapyard in Europe and the US, Adriano introduced Reed to Tuareg music (Tinariwen, Bombino, Terakaft). Back in Memphis, Reed wrote songs with a new sound and band in mind, and began recording at Ardent Studios in April 2015. The result, Speaking in Shadows, will be released March 4th 2016 on Devil Down Records.
Revealing musical and songwriting influences ranging from Randy Newman and JJ Cale to Beck, T Rex, and Tinariwen, Reed steps out from behind the gruff fuzz into a multi-faceted sound built on finely crafted songs and ear- & rear-moving grooves. Featuring an all-star group of musicians including drummer/bassist Paul Taylor, saxophonist Art Edmaiston, Andrew Trube and Anthony Farrell (Greyhounds), and Adriano Viterbini, Speaking in Shadows is built on a foundation of Memphis groove and fat-back rhythm. Fresh textures abound, from the carnival of sounds on tongue-in-cheek “Drawn and Quartered” to the heartbreaking vocals of Heather Moulder on the spare, haunting lead track “Pass Me Over.” As a songwriter, Turchi confidently mines the classic blues/rock vein in "Offamymind" ("Well I can barely walk, so I guess I oughta/ Get behind this wheel and drive”), effortlessly shifts gears to the satirical "Everybody's Waiting (for the end to come)," and turns introspective in "Looking Up Past Midnight." Reuniting with engineer Adam Hill (Big Star, Dirty Streets, White Stripes), Reed strikes out for new territory with co-production by Billy Bennett (MGMT, Drive-By Truckers, Los Colognes). The album was mastered by Andrija Tokic (Alabama Shakes, Natural Child, The Whigs) at Bombshelter Studios in East Nashville, with artwork and design from Charles Ritchie.
To implement the new album's sound live, Reed assembled The Caterwauls: Memphis drummer Andrew McNeill; Murfreesboro, TN-based slide guitarist Joey Fletcher; and Woodsbury, TN singer / piano player Heather Moulder. The Caterwauls combine soul, funk, rock, country, and gospel, creating deep grooving rhythms. Reed and The Caterwauls are preparing for a busy 2016, and the launch of Speaking in Shadows.
Fox & Coyote:
“The cool earnestness of Fox & Coyote makes them immediately relatable despite their more avant garde elements.” – City Pages
Fox & Coyote sometimes feels like a marriage. From the get-go, Ryan Evans and Jonathan Harms – the band’s songwriters – sensed a creative energy between them. Audiences felt it, too, often saying there was “something special” when the two performed as a duo. The two songwriters first played together almost 10 years ago – Ryan on guitar and Jonathan on banjo. They not only make music together, they have done their early and mid-20s together – road tripping, laughing, playing board games, arguing, making dinners, meeting each other’s parents, being there for each other during good times and bad times, and sometimes even writing songs about each other. And, through it all, they’ve made music, getting together at least once a week to hash out new songs.
It wasn’t long before Fox & Coyote’s musical ideas needed more than a guitar, banjo, and two voices. The group is shifting from their singer-songwriter roots to louder, more experimental sounds. In addition to Ryan (lead vocals, guitar) and Jonathan (lead vocals, banjo, keys), Fox & Coyote is Katherine Canon (cello, vocals), Grant Gordon (upright bass, electric bass), and Kenny Befus (drums). Ryan and Jonathan act as co-directors, pushing their five-piece group beyond what you’d expect from what started as a guitar-banjo songwriting duo. The band offers “soaring and haunting” melodies (KAXE Northern Community Radio), “vivid stories” (89.3 The Current), and songs with “warmth and pulse” (City Pages). Fox & Coyote is excited as hell for the music they’ll make next.
Of the Orchard:
Of The Orchard was founded upon the roots of singer/songwriter, Ben Vanden Boogaard, and his desire to expand out from performing as a solo artist to being surrounded by a full band. In the winter of 2017, Ben recruited Lewis Wethall (drums), Alec Thicke (bass/backing vocals), and Zach Ward (guitar) to embark with him on a project called "10 in 10" where the four of them would record, film, and release a new single, accompanied by a music video, every month for 10 months between March 2017 - December 2017.
After several months of playing together and many enjoyable social outings later, the four guys began brainstorming a way for everyone to be included in the band name, as the project was originally started under Ben's solo project, Ben Vanden Boogaard. A few evenings were spent brainstorming names which, needless to say, ended in failure as some of the "favorites" were: Benny and the Windmills, Daddy Tops, and Blood Kitten. Eventually, Of The Orchard emerged as the favorite, coming from the English translation of Ben's last name: van den boogaard.